Composition/Framing Your
Shots
Composition - There
are many ways to compose a shot, depending on your goals. You want to be aware
of what is in the shot and what isn't. Can you clearly see what you intend for
the viewer to see?
Rule of
Thirds - this classic rule suggests that the center of the camera's
attention is one-third of the way down from the top of the shot.
Headroom - A
term used with shots of people. This refers to the space above the subject's
head. You'll see different amounts of headroom, depending on the intent of the
creator of the video. In general, if you're standing right in front of someone,
you'll see that they have space all around them - they aren't cut off by a
frame. By leaving headroom, or space beside them, you are imitating what you see
in real life.
Talking/Walking Room - If you are interviewing someone or have
video of someone talking, you generally do not want them looking directly at the
camera (again, it depends on your goals - certain situations may call for that).
Generally you want the person to be looking off to the left or right of the
camera a bit. When you do this, frame your shot so that there is some talking
room. That is, you want to leave some extra space in front of their face as if
you were going to draw a dialogue box in for them. This space is "talking room."
If the person is talking to another person, this shows space between them.
Walking room, if the person in motion, gives them space to walk to.
Talking/Walking Room leaves space in the shot for the action, whether it be
words or movement.
Shot
Angles
Your shot angle is the
level from which you look at your subject.
Eye-level
angle - One of the most commonly used shots is the eye-level shot. Why?
Because it's the perspective most familiar to us - we usually see things from
our own eye-level. This angle also causes the least discomfort because we're
used to it. If you're shooting a person, make sure you shoot at their eye-level,
not yours.
Low
Angle - In this shot the camera looks up at the subject, making it seem
important, powerful, or perhaps larger than it is to the viewer. For example,
you might be sitting on the ground looking up at someone who is standing.
High
Angle - In this shot the camera looks down on the subject, decreasing
its importance. The subject looks smaller. It often gives the audience a sense
of power, or the subject a sense of helplessness. In this case, you'd be higher
than the other person (maybe they're sitting, or maybe you're standing on a
desk) looking down on that person.
Shot Movement
Pan - A
shot taken moving on a horizontal plane (from left to right, right to left). If
you want to show a frisbee flying across a field, you might use this shot to
follow the frisbee from one person to another.
Tilt -
Camera movement in a vertical plane. (up or down) If you want to show a tall
building but you can't get it all in your shot, you might start at the bottom of
the building and go up to the top.
Camera
Shots
There are three basic
camera shots
Wide shot
(also known as Establishing Shot or Long Shot) - This shows the whole scene.
Frequently you'll see video pieces begin with a wide shot. It's helpful because
it sets the stage - the viewer knows where s/he is. These shots are also good if
there is a lot of movement. This might show a person from head to toe.
Medium
Shot - This shot shows less of a scene than the wide shot. The camera
seems closer to the subject (although it may not be if you use your zoom lens).
For example, if you were interviewing someone, this shot would show them from
about the waist up in a medium shot. Use this when you want a closer look at
your subject, or when you need to transition between wide shots and close up
shots (it is difficult for the viewer to follow what you are doing if you go
straight from a wide shot to a close up shot).
Close Up
Shot -This shot shows an even smaller part of the subject or scene.
Great for showing detail, like a person's emotional face or individual leaves on
a tree. If you were interviewing someone, this shot would show the person from
the top of the chest or shoulders up. An Extreme Close Up Shot is even closer
than a Close Up. For example, it is just of the person's eyes, or of a bug
gnawing on a leaf.
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